21. TIL that the oldest known domesticated dog remains are over 14,000 years old. The dog died young and is unlikely to have been much use to humans. Nevertheless, it was buried in an elaborate grave alongside two humans.
22. TIL In high school, Donald Glover was voted “Most Likely to Write for The Simpsons.” In 2006, Glover sent writing samples to David Miner, which included a spec script he had written for The Simpsons. Miner and Tina Fey were impressed by Glover’s work and hired him to become a writer for 30 Rock.
23. TIL that the developers of the racing simulator game Assetto Corsa were attempting to find the source of what they believed to be a bug with the in-game traction control. In reality, the “bug” was the simulation accurately recreating a real world physics problem they were unaware of.
25. TIL that sleight of hand artist Apollo Robbins was so proficient that he once managed to pick the pockets of 2 secret service agents assigned to former president Jimmy Carter. He managed to steal the forner president’s itinerary, the keys to his motorcade and the badges of the agents.
26. TIL that during World War II, M&Ms were exclusively sold to the U.S. military. The candies were heat-resistant and easy-to-transport, perfect for American soldiers’ rations.
27. TIL that Catherine Zeta-Jones was initially offered the lead role in Chicago, but turned it down in favor of playing Velma just so she could sing “All That Jazz.”
28. TIL about a psychological phenomenon known as psychic numbing, the idea that “the more people die, the less we care”. We not only become numb to the significance of increasing numbers, but our compassion can actually fade as numbers increase.
29. TIL Lighthouses had different techniques for rotating the light, most being too slow, making the light less visible. Augustin Fresnel proposed a mercury flotation system in 1825. Despite some lenses weighing over 6,000 lbs. the design reduced friction, increased rotation, and ultimately saved lives.
30. TIL Carl Stalling composed the music for many early Disney and classic Looney Tunes cartoon shorts, averaging one score a week during his 22 years at Warner Bros. The studio’s 50-piece orchestra found Stalling’s dynamic cartoon music far more challenging than the film scores they normally played.
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