Vibrant Reconstructions of  Classical Sculptures

As the classical sculptures in museums are purely white today, a common misconseption has developed about their colors. However, those marble sculptures were once painted with vibrat colors with a technique called polychromy (meaning “many colors”).

classical sculptures, Torso from the Athenian Acropolis
Reconstruction of the Cuirassed Torso from the Athenian Acropolis (original: ca. 470 BC) by Vinzenz Brinkmann and Ulrike Koch-Brinkmann
classical sculptures, chios kore
Reconstruction of the Chios Kore, 2012

Recently, a new exhibition at the Met called “Chroma: Ancient Sculpture in Color” has been featuring 40 artworks from the collection of the Manhattan museum as well as 14 full-size reconstructions. In this way, people get to chance to see what these classical sculptures originally looked like

classical sculptures
The original marble capital and finial in the form of a sphinx, circa 530 BC
Reconstruction of marble finial in the form of a sphinx
Reconstruction of marble finial in the form of a sphinx, 2022
classical sculptures, Artemis
Reconstruction of a marble statue of Artemis from Pompeii, 2010

While creating the reconstructions, the polychromy experts, Vinzenz Brinkmann and Ulrike Koch-Brinkmann, use some technologies such as infrared and ultraviolet light techniques to identify traces of pigments on statues. After determining the original color, they paint the plaster casts or 3D–printed replicas with authentic materials like earth pigments, minerals, tempera and linseed oil.

Small Herculaneum Woman
Reconstruction of a marble statue of a woman wrapping herself in a mantle (aka Small Herculaneum Woman), 2019
 marble funerary statue of Phrasikleia
Reconstruction of the marble funerary statue of Phrasikleia, 2010/2019

For more information: metmuseum.org