These paintings reflect Dalí’s unique blend of dreamlike imagery, meticulous technique, and deep interest in themes of time, perception, and the subconscious.
The Persistence of Memory (1931):
This iconic painting features melting clocks draped over various objects in a dreamlike landscape, symbolizing the fluidity of time.
The Elephants (1948):
Known for its depiction of elephants with long, spindly legs, this surreal painting explores themes of weight and structure.
Metamorphosis of Narcissus (1937):
This painting illustrates the Greek myth of Narcissus, showcasing Dalí’s fascination with transformation and self-reflection.
The Sacrament of the Last Supper (1955):
A reinterpretation of Leonardo da Vinci’s “The Last Supper,” this work combines religious imagery with Dalí’s unique surrealist style.
Swans Reflecting Elephants (1937):
This double image painting features swans whose reflections in the water appear as elephants, demonstrating Dalí’s interest in optical illusions.
Lobster Telephone (1936):
While not a painting, this surrealist object exemplifies Dalí’s use of everyday items to create unexpected juxtapositions.
Galatea of the Spheres (1952):
A portrait of Dalí’s wife Gala, this painting is composed of a series of spheres, reflecting his interest in atomic theory and the breakdown of matter.
The Hallucinogenic Toreador (1969-1970):
This complex painting contains multiple images and symbols, including a Venus de Milo and a bullfighter, exploring themes of perception and memory.
The Disintegration of the Persistence of Memory (1952-1954):
A reinterpretation of his earlier work, this painting deconstructs the original image into its component parts, reflecting Dalí’s interest in quantum physics.
Christ of Saint John of the Cross (1951):
This religious painting depicts Christ on the cross from a unique, aerial perspective, combining spiritual and surreal elements.
